Archive for March, 2010

Lazers! Release

The upcoming Lazers! (David Collins, Steve Schlei, Greg Surges) release has been recorded, mastered, and sent off to Petcord. 9 tracks, around 100 minutes of music – free to download and share!

Improvisations (more and less structured) and composed pieces by David Collins and myself.

My pieces “Fission” and “RadioGamelan” are included here. I wrote these pieces specifically for this group, so the performances are quite good – if I do say so myself.

Should be out around mid – late April.

Modular Synth Patch – Work in Progress

Screen shot 2010-03-22 at 10.10.34 AM

SEAMUS 2010 Headphone Concert Preview

Here’s an article about the concert my piece “Waveformations” will be appearing in at SEAMUS 2010 in St. Cloud, on Thursday nights, April 8 at 10pm.

http://www.universitychronicle.com/entertainment/headphone-concert-to-be-performed-at-seamus-1.2191891

Wikipedia Entry

Probably breaking some rules here, but… http://en.wikipedia.org/wiki/Greg_Surges

Modisti Link and a Youtube Video.

Just found some links to my work on Modisti, an online magazine/directory of new experimental music and sound art.

Also, an unknown person has created a video to accompany my piece “Swarm” and posted it on Youtube.

“Sound Virus”

“Sound Virus”

For Many Performers With Loud Sounds

For car horns, trumpets, percussion, megaphones, trash cans, voice, etc.

Four of the performers begin situated on the four opposing street corners of a major intersection. The intersection should be surrounded by similar streets and intersections – the street layout should be as grid-like as possible. The remaining performers should begin to disperse into the city, while attempting to remain within earshot of at least one other performer.

Sound (a simple motive, rhythm, or fragment) begins in the original, central location. When a performer who is not playing begins to hear the original sound, he or she should begin to play a similar sound. After a performer has begun playing, he or she can stop and move to the next street corner at any point. (Performers should always aim to be playing at a street corner.) If a performer can no longer hear others, he or she should return to a point where the sound is again audible.

When moving, performers should actively encourage passers-by to join the piece. Pausing to explain the situation is acceptable, and passers-by can use an available means of sound production.

The piece is over when all performers have ceased.

 

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