Archive for the ‘ Original Music ’ Category

New Piece – Pattern Recognition

I made a page for my newest piece Pattern Recognition, commissioned for the C-Squared duo of Lisa Cella, Flute and Franklin Cox, ‘Cello.

The piece will be premiered in April, 2010. Score soon to come.

Pattern Recognition juxtaposes instrumental phrases and materials, which are repeated and varied in performance according to choices made by the performers. It was my goal to make music which had considerable freedom in performance while retaining a unique and identifiable character.

“Waveformations” @ SEAMUS 2010

Just a note that Waveformations has been accepted for performance at the 2010 SEAMUS conference, April 8 – 10 2010 @ St. Cloud State University.

David Collins, Steve Schlei, Greg Surges – 11.27.09

Pretty restrained and/or atmospheric.

Performance of “Solid State” tonight at Montana State University

The Electric Monster Laptop Ensemble, headed by Hsaio-Lan Wang, is making their concert debut tonight. They’re based at Montana State University, and playing in Reynolds Recital Hall there. My piece for networked laptop ensemble, “Solid State,” is being performed along with six other pieces for laptop ensemble. You can see more on Hsiao-Lan Wang’s site here, and I’ll post a recording when I have one.

Collins, Schlei, Surges – More Improvisations

Here are three two  more improvisations from the last two weeks:

Fission Recordings

Screen shot 2009-11-07 at 11.19.38 AM

Here are two different versions of Fission, recorded yesterday (11.6.2009 @ KSE) by David Collins, Steve Schlei, and myself.

I like the way the piece takes on a different form each time it’s performed – the two recordings here were made back-to-back. The score .zip archive is available here.

Recording: David Collins and Greg Surges @ KSE 10-30-2009

Here are two recordings of improvisations by David Collins and myself.

Recordings were made on a Tascam DR-07, with just a tiny bit of EQ after the fact.

KSE-10-30-2009 One

KSE-10-30-2009 Two

Why independent composers should release on netlabels.

Over the summer, I released two albums of my work with two European netlabels. Solid State, a collection of tape music, live electro-acoustic music, and acoustic chamber music, was released on Petcord, while Untitled, 2006 – 2009, a selection of recordings made with my custom software instruments, was released on Digitalbiotope.

I’ve had almost 1,500 downloads of “Solid State” alone, according to Archive.org. (Who knows, that number may be higher in reality… these are both Creative Commons licensed works, so copying and sharing is encourage.) I cannot think of a better way for a young, independent composer to gain a bit of exposure. Petcord also run a streaming internet radio station, Leftob, so anything they release (or anything else they find and enjoy) is given some play on the station. It’s a great way to get your music out to some new listeners, who might be tuning in because of another artists work that they enjoy.

It can be difficult, but it’s important to find a netlabel who has released similar music to yours. Petcord’s previous releases were not necessarily focused on the same things as mine, but Olliver, one of the operators, was quite interested and totally positive about putting my music out.

As you can see in some posts below, my releases have literally gotten global attention, from Hungary, to Estonia, and Duke University.

I’m thinking next about some netlabel-specific music releases, possibly consisting of a piece of software rather than a recording. More here when that happens.

A Recent Music Hero

Here’s a link to an Estonian blog who were nice enough to review my Petcord release Solid State. The Google translation was not so good, but it appears to have earned an 8.2 (out of 10?).

1,400 Downloads of “Solid State”

Wow, I’m pleased and proud that my recent release Solid State – on Petcord – has been downloaded over 1,400 times!

If you haven’t heard it yet, it’s a free download, so check it out and tell your friends! The rest of the Petcord releases are good too, so there’s a lot to enjoy.